Triplex,
three-flat, triple decker...
TUESDAY,
JULY 27, 2004 - CHRISTOPHER DEWOLF

MONTREAL, 24.06.04 : SUMMER EVENING ON
BERNARD STREET

MONTREAL, 24.06.04 : CHINATOWN ST-JEAN
BAPTISTE FESTIVAL

MONTREAL, 24.06.04 : BARBECUE IN THE
BACK ALLEY, MILE END

MONTREAL, 24.06.04 : ST-JEAN BAPTISTE
DAY CELEBRATION

MONTREAL, 24.06.04 : AT THE
PLACE-DES-ARTS FOUNTAIN

MONTREAL, 24.06.04 : KABYLIEN
FESTIVAL, ST-JEAN BAPTISTE DAY

MONTREAL, 24.06.04 : IMPROMPTU PARADE
ON ST-VIATEUR

MONTREAL, 24.06.04 : BOY IN CHINATOWN

MONTREAL, 24.06.04 : ST-JEAN BAPTISTE
DAY CELEBRATION

MONTREAL, 24.06.04 : ON DE LA
GAUCHETIÈRE STREET

MONTREAL, 24.06.04 : WOMAN IN
CHINATOWN

MONTREAL, 24.06.04 : OLD MEN ON CLARK
STREET

MONTREAL, 24.06.04 : EVENING ON
ST-VIATEUR STREET

MONTREAL, 24.06.04 : LITTLE GIRL AT
CHINATOWN FESTIVAL

MONTREAL, 24.06.04 : ON THE FRONT
STEPS, ST-URBAIN STREET
New Urbanism swept Canada
and the United States in the 1990s, advocating a return to the
traditional ways of building cities. Out with the suburban
snout house and in with the rowhouse; bulldoze the strip
malls and replace them with rows of shops with apartments
above. At the same time, a housing boom rocked the continent,
sending land values soaring and condo towers shooting into the
sky. Housing shortages are now prevalent, hurting the most
disadvantaged members of society. In Toronto, which receives
more immigrants per capita than any other city in North
America, many new arrivals are
sequestered in decrepit pockets of highrise apartments in
the suburbs. What's a good way to provide more housing while
building dense and sustainable neighbourhoods? Bring back the
triplex!
Triplexes (click
here for a photo) are as much a
symbol of Montreal as woodframe Victorians are to San
Francisco. The three-storey stone buildings with whimsical
wrought-iron staircases dominate large swaths of the city,
providing shelter for thousands and fodder for many a postcard
photographer. One triplex can have as many as six apartments, but most simply have one per floor. Each apartment has
its own door on the street (hence the outdoor staircases) and
upper-floor apartments have one or two balconies, while
ground-level tenants enjoy a small garden in the front or back.
The benefits of the triplex are enormous. Its moderate
height frames the street without being too short or too
overbearing, while balconies and outdoor staircases provide a
connection with the outside world, keeping eyes on the street
around the clock. Triplexes provide more than enough density
for vibrant commercial streets and pedestrian-oriented
neighbourhoods, too.
Montreal's first triplexes
were built in the late 19th century, just as hundreds of
thousands of migrants from rural Quebec and immigrants from
Eastern Europe began pouring into the city. It was between
1890 and 1910 that the great triplex neighbourhoods were
built: Mile End and Rosemont, the Plateau and
Hochelaga-Maisonneuve, Verdun and Villeray. The great triplex
boom was by no means limited to Montreal, either. Thousands of
triple deckers sprung up across New England, housing immigrant
workers in Boston and Providence. Three-flats emerged in parts
of New York and Chicago, too.
A few weeks ago,
when I spoke with Susan Bronson, architect at the
Université de Montréal and Mile End historian, she
half-jokingly observed that the triplexes on her street
usually had one generation per floor: an old grandmother, the
original immigrant, on the bottom, her children on the middle
and the grandkids on the top. Most often, when the grandma
died, the kids would sell the triplex and move to the suburbs
or to another neighbourhood. Such is the history of Mile End:
one immigrant group moves in around the same time another one
is leaving. The new immigrants become tenants and then
landlords when the original immigrants sell their building.
The triplex provides both a home and a much-needed source of
income, a pattern that propelled Mile End through waves of
Jewish, Greek and Portuguese immigration.
The 1930s and 40s saw a
gradual switch from triplexes to suburban houses and apartment
buildings. Today, when a triplex is sold, it's usually bought
by a condo developer who renovates it and sells of each unit
individually. Neighbourhoods with lots of turn-of-the-century
triplexes gentrify while new waves of immigrants settle in
more modern neighbourhoods like Park Extension and Côte-des-Neiges,
where housing consists of large apartment blocks.
Unfortunately, many of these buildings are kept in
disrepair by neglectful landlords who take advantage of
immigrants' fear of contacting authorities or ignorance of
their rights as tenants. Triplexes don't solve the problem of
bad landlords, but they gives immigrants a chance to gain a
foothold and put down roots in their new home.
―――
Do you like
Urbanphoto? Enough to spare us a few dollars to help us get
by? I'm now
accepting donations via PayPal. Currently, all of Urbanphoto's
expenses come out of my own pocket, so any and all help will
be very much appreciated! Feel free to donate whatever you
feel is appropriate.
Meanwhile,
in other news:
Shannon Medlock offers another dispatch from South
America. He has taken yet another trip from his home base of
Buenos Aires and is now reporting from Brazil, where he was
impressed with Porto Alegre and will soon head to São Paulo.
You should also check out the
Montreal City blog, where Kate has been posting some
fascinating then-and-now photos of Montreal street scenes.
Discuss this post on our discussion forum
Head over to the archives for
last month's posts
Summer slothfulness
WEDNESDAY,
JULY 14, 2004 - CHRISTOPHER DEWOLF

MONTREAL, 23.06.04 : IN THE CARRÉ
ST-LOUIS

MONTREAL, 23.06.04 : ON THE CARTIER
MONUMENT STEPS

MONTREAL, 23.06.04 : IN THE CARRÉ
ST-LOUIS

MONTREAL, 12.06.04 : EVENING IN
CHINATOWN

MONTREAL, 03.06.04 : SUN LIFE BUILDING
AND CATHEDRAL

MONTREAL, 12.06.04 : STE-CATHERINE
STREET AT PEEL

MONTREAL, 16.06.04 : MAN WITH DOG ON
SHERBROOKE STREET

MONTREAL, 12.06.04 : EVENING IN
CHINATOWN

MONTREAL, 23.06.04 : IN THE CARRÉ
ST-LOUIS

MONTREAL, 18.06.04 : PORTUGUESE COOK
ON ST-LAURENT

MONTREAL, 20.06.04 : TELEPHONE CALL,
MAISONNEUVE STREET

MONTREAL, 23.06.04 : IN THE CARRÉ
ST-LOUIS

MONTREAL, 23.06.04 : WORKING IN
JEANNE-MANCE PARK

MONTREAL, 23.06.04 : CHECKING OUT
FRUIT AT HARJI'S
Full disclosure: I'm lazy.
Well, maybe not lazy, but definitely a procrastinator. I've
taken hundreds of photos over the past couple of months but
haven't bothered to update Urbanphoto along with them. If you
miss the delicate rhythm of my charming and elegant prose,
though, you can always catch me at Maisonneuve magazine's
The Urban Eye. Coming up this Friday will be a column on
taking back Canada's streets from the evil automobile.
Meanwhile, however, I
figure I'll share a few interesting bits and pieces from
our
discussion forum. Shannon Medlock, who has contributed a
couple of articles to Urbanphoto, is now living in Buenos
Aires and promises to correspond regularly with
dispatches on porteno life. But first, he offers us
a brief glimpse of Santiago:
Santiago
resides in a splendid natural environment of snow-capped
mountains encapsulating a verdant green valley of eternal
spring. The valley itself is a microcosm of the geographical
diversity that is Chile, consisting of flat land interspersed
with sharply rising hills, small lakers, shallow rivers and a
sylvan paradise of trees and plants. This is in great contrast
to the blunt grasslands interrupted by big, sloggish rivers
that Buenos Aires calls home. But somehow cities that seem to
have the most beautiful natural environments make the absolute
worst of their physical environments, with Los Angeles and
Mexico City especially coming to mind.
Erstwhile editor Chris
Szabla
posts a couple of articles by Joel Kotkin, who argues
that cities do more harm than good by embracing Richard
Florida's notion of the creative city. His essays elicit a
lively response from one member:
a certain breed
of columnist cries cassandra songs every time there's an
instance of change. it's a rush to secure history in one's
shaky perception, the bragging rights of the dead.
my city of montreal is peripheral to his argument, but it is
an exemplary encapsulation of where and why he is wrong. his
thesis seems to essentially be that, its position as
gate-keeper of the saint lawrence and robber baron of canada
gone, the thin gloss of civility the place has managed to
retain is but a weak bulwark against irrelevance. the latter
quality being, apparently, best measured in tonnes of pig
iron.
Read more at
the Café l'Urbanité.
Discuss this post on our discussion forum
Head over to the archives for
last month's posts |