Part of the brilliance of Alfred Hitchcock’s 1954 film Rear Window was the way it acknowledged voyeurism as part of urban life. In the city, we’re always being watched and we’re always watching others, be it on the street, from across a café or on the web, through street photography.
I’d be lying if I said that the thrill of spying on others wasn’t part of the reason why I like rooftops. The exchange of glances on the street is replaced by a position that gives you a privileged view of everything around. I’ve never seen anything particularly exciting from a roof — it’s not like I bring a pair of binoculars — but I do enjoy catching the occasional glimpse into the normally sheltered world of somebody’s private life. Not too long ago, while hanging out on a friend’s rooftop, I was able to catch part of a World Cup game being watched on a large high-definition TV in the building next door.
Obviously I’m not alone. Peepers, a new film by Montreal’s Automatic Vaudeville Studios, takes the idea of rooftop voyeurism and builds a movie around it. I haven’t seen it yet, but I’m happy to see some of the rooftops I know and love featured in the trailer. At least one of the scenes looks like was filmed on the rooftop where writer/actor Mark Slutsky lives — a rooftop my friends and I have snuck up to many times.
Tags: Film, Mile End, Montreal, Rooftops, Views from Above, Voyeurism
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