It’s Always Autumn
Avenue de l’Hôtel-de-Ville between Roy and Duluth
The first big snow has already fallen on Montreal, but I still picture the city in the midst of autumn, partly because that’s when the city looks its best and partly because I still haven’t worked through the hundreds of photos I took when I was back to visit in October.
MC Yan in the Street
Last week, I posted a video by Thomas Lee in which he asked passers-by on Sai Yeung Choi Street where they would go if they could open a door to anywhere. Now he’s back with another great video, this time a (well-subtitled) Cantonese-language rap by MC Yan, whom you might remember as the founder of Radio Dada and one of the first Chinese rappers.
I helped produce this video (though I can’t claim much credit — after introducing him to MC Yan and participating in a brainstorming session, nearly all of the work was done by Thomas). What struck me from the beginning was how passionate MC Yan is about Hong Kong, despite the cynicism that defines his lyrics. He’s genuinely fascinated by this place, rooted to it not only by birth but by a desire to improve it, and the way he expresses that is through unrelenting criticism of Hong Kong’s government and leaders.
In the video, he takes us on a tour of three important parts of Hong Kong — Causeway Bay, Central and West Kowloon — drawing inspiration from the social, political and cultural geography of each.
Display Case
A ground floor window, if it’s close enough to the sidewalk, is the perfect vehicle for self-expression. When I was growing up in Calgary, I would walk along 17th Avenue every day, passing by an apartment window that was festooned with anti-war posters, music stickers and various other countercultural emblems. In Montreal, at the corner of Napoleon and Hôtel de Ville, this window is filled with a much more eclectic array of things.
Historical Sleuthing
Photo by David Bellis
The best way to learn about a city is to simply wander the streets: eventually, something will catch your attention, like an odd-looking cornice or the way a road curves, and you’ll ask yourself why it is the way it is. Idle curiosity is how I began my research on Montreal’s street signs and Hong Kong’s rooftops. For David Bellis, who runs the Hong Kong heritage website Gwulo, it was an architectural flourish that led him to wonder about three streets in Causeway Bay.
Halfway between the shopping hubs of Times Square and Sogo, on the corner of Yun Ping and Lan Fong roads, is a smart-looking, vaguely Art Deco building that serves as a hotel. At first glance, it seems to be an older postwar building that was recently restored; its architecture is in the same half-Deco, half-Modernist style that was popular here in the 1950s. This structure, though, is particularly sleek and not as utilitarian as most, with clean lines that curve gracefully around the building’s corner edge.
Hey You, Hurry Up
Street art on Duluth and St. Viateur streets, Montreal
The Mystery of Swiss Lane
Even after seven years of walking its streets, I’m still finding new things in Mile End, the neighbourhood I called home before I left Montreal. Back for a visit last month, I got around mostly by bike, which took me down streets on which I wouldn’t normally walk, like the quiet stretch of Casgrain in the old garment district. That’s where I spotted a laneway with an unusual name: Swiss Lane, according to the street sign, though “lane” has been patched over with white tape and the alley’s official name is now “ruelle Swiss.”
I can’t find any clues as to the origins of Swiss Lane’s name. The city’s otherwise comprehensive Répertoire historique des toponymes montréalais contains no reference to anything Swiss or Suisse. The only mention I can find in the Lovell’s Directory indicates that Swiss Lane was “not built upon.” (Its entry in the 1935 directory is found right under Swastika Avenue, which was apparently a lane off Ste. Famille Street.) So what’s the story behind Swiss Lane?
Night on Cheung Chau
We didn’t know what to expect. Faced with the novelty of an open Saturday night, my girlfriend Laine and I decided to go somewhere random. Why not Cheung Chau? We’d always enjoyed visiting the island during the day, when its bicycles, beaches and palates of drying fish are a rebuke to the city’s uptight rush. It might be just as fun at night, we reasoned.
So we headed to the Central Ferry Piers where we stocked up on good beer — a Paulaner Dunkelweizen, a Brooklyn Lager and a Yebisu, for the record — and caught the 9:30pm “Ordinary Ferry” at Pier 5. In this case, “ordinary” means you’ll get exactly what you’d expect from a ferry: a real boat that sloshes back and forth in the water, with a spot at the rear where you can sit outdoors and feel the wind in your hair. It takes 15 minutes longer than the hermetically-sealed icebox “Fast Ferry,” but it also costs half as much and is twice as much fun.
We arrived at the island a bit after 10pm. The lights on the harbourfront promenade twinkled like somebody’s forgotten Christmas decorations. As we disembarked the ferry and left the pier, I noticed that most of seafood restaurants along the Praya were already winding down for the night, but Laine pointed out something far more exciting: street food.
Milton and Aylmer
After the sun sets, the corner of Milton and Aylmer is one of my favourite in Montreal, if only because the Victorian townhouse on the northeast side is so nicely-lit by the adjacent streetlamp.
Kensington on a Gloomy Day
I didn’t have much time in Toronto, but I spent much of it in Kensington Market, a tangle of small streets and mismatched buildings just past Spadina Avenue. It isn’t a very big neighbourhoods, but it does a lot with what it’s got.




















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