July 21st, 2010
When Cynthia Lee Hong-yee found out that her family planned to sell her grandfather’s private garden to developers, she returned from the United States to take photos of the lush greenery and eclectic Western-influenced Chinese architecture.
“I was capturing some of the details and I realized I just couldn’t capture Dragon Garden’s greatness,” she said. “It has to be experienced.”
She realized the garden needed to be saved — and it was up to her to do it. After a contentious battle with the relatives who owned the garden, Lee managed to persuade her uncle, Lee Shiu, to save it from redevelopment by purchasing it from his brothers and nephews for HK$100 million. The plan, after that, was to donate the garden to the government, which would then open it to the public.
That was in 2006. Since then, the garden, which is located on the shores of the Rambler Channel just west of Sham Tseng, has sat in limbo, free from the threat of demolition but with no concrete plans to restore it and open it to the public. The Lees’ original offer to donate the garden was rebuffed by the government. It later changed tack and said it could take over the site, but would not guarantee how it would be used in the future.
As Hong Kong debates how best to preserve its heritage, the case of Dragon Garden poses a question that has proved surprisingly hard to answer: once you’ve saved an historic site, what do you do with it?
More
December 28th, 2009
Container gardening is the ultimate form of urban greening: space-efficient, low-maintenance and productive. People in Hong Kong have been doing it for generations.
Last summer, on a sunny but oppressively hot day, I found myself on the roof of a 1960s-era highrise apartment building in Kwun Tong. Among the lines of billowing laundry were several clusters of potted plants maintained by the building’s residents. Though most were decorative plants, there were some fruits being grown, including kumquats and tomatoes. Anyone interested in growing their own herbs or vegetables could have easily done so.
Unfortunately, informal rooftop gardens like this are set to become a rarity. The Kwun Tong building on which these photos were taken will be demolished next year for a massive redevelopment project. Newer buildings tend to have smaller roof areas and no room for plants. My building has just two flats per floor, for example, which makes for a very small roof, most of which taken up by stairwell entrances and an elevator machine room. Even if I tried to start a container garden up there, it’d probably be cleared away by the building management.
The government is pushing developers to include green features in new developments. The public housing authority, whose buildings house more than a third of Hong Kong’s population, is experimenting with green roofs, vertical greening and community gardens. But there’s something to be said for giving people a bit of empty space and letting them do what they want with it.
More
December 13th, 2009
When the curators of the 2009 Hong Kong-Shenzhen Biennale began assembling exhibits for the urbanism and architecture showcase, they decided to focus on the theme of sustainability. It turns out that most of the artists, architects and designers who answered their call for submissions had the same idea.
“It’s almost a zeitgeist,” says Eric Schuldenfrei, one of the biennale’s four curators. “When you ask people for new work, the dialogue with nature is very strong. It might be subtle, but if you look for it, there is that element in almost every project in the biennale. It’s curated to an extent, but it’s also what everyone was already working on.”
Sustainability might be a buzzword, but the philosophy behind it goes far beyond a bit of greenery here and there. A scan of the biennale’s lengthy roster of exhibitions, installations, lectures and events shows a preoccupation with the question of how to reduce Hong Kong’s impact on the environment and bring city-dwellers back into contact with nature.
More
July 16th, 2009
When I wrote about the political and cultural importance of posters (not to mention their aesthetic contribution to the city by making it look messy and lived-in), I never considered that they could also have an environmental benefit. Luckily, two artists in Toronto, Eric Cheung and Sean Martindale, have demonstrated exactly how this can be done: they’ve turned lamppost posters into tiny planters.
How’d they do it? Spacing’s Jake Schabas has the answers. “First, they cut triangular shapes directly into the thick existing poster layers. Then they peeled back those layers, wrapping the outside edge of the cut-out posters back into the pole to form the cones.
“Only staples were needed to hold the cones in place and support the soil and flowers planted, with some cones needing extra poster paper wheat-pasted onto the underside. All of the cones have an aeration hole at the bottom and are placed in a corkscrew patter that allows water to flow from one plant to the next.”
More
