August 24th, 2011

Maya Barkai’s crowdsourced art installation has brought pedestrian crossing symbols from around the world to New York’s streets
Only a block north from the construction barriers surrounding the former site of the World Trade Center, which brim with boastful renderings of progress on the nearly-complete September 11th Memorial, another, less conspicuous hole opens up in Lower Manhattan’s lapidary landscape. Compared to the blocks bordering Ground Zero, it’s a stretch of Church Street that’s relatively empty. Maybe that’s part of why the netting surrounding this construction site was passed up as glossy adspace showcasing the real estate to come and instead given over to art — currently, Israeli artist Maya Barkai’s installation “Walking Men,” which juxtaposes images of pedestrian walk signs from around the world.
In North America, it’s easy not to devote much thought to the design of “walking men”. While the pictograms are relatively new to the US — until recently, it was still not uncommon to come across a spelled-out “WALK” sign on the streets of New York — bright-white walk symbols are now not only fairly uniform across dense American cities, they’re also uniformly ignored by jaywalkers, who normally treat the signals as well-meaning but unnecessary suggestions.
Elsewhere, though, walk signals are much more diverse — and sometimes more meaningful. In Germany, pedestrians who cross against the light aren’t really braving traffic as much as the reproachful glances of those dutifully remaining at the opposite corner. From Munich to Münster, old women wait at otherwise empty street crossings for the signal to change — on principle. Ordnung — the organizing principle of German civilization — begins at the intersection.
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July 10th, 2011

It’s a bright Sunday afternoon and Central is buzzing. Thousands of Filipino domestic workers gather with friends for a weekly picnic. Shoppers stream through the luxury shops of Chater House to the somewhat less posh confines of Worldwide House, where large boxes of gifts are being packed for shipment to the Philippines. Charity workers stop passersby to ask for donations.
Hong Kong is famous for this kind of vigorous streetlife — except in this case, none of it is happening on the street, but instead one or two stories above ground, on the network of footbridges and elevated open areas that link many of Central’s shopping malls and office towers.
It isn’t just happening in Central. In dozens of spots around the city, from Tsuen Wan to Tseung Kwan O, footbridges and underpasses are creating pedestrian networks that extend well beyond the traditional domain of the sidewalk and public square. In the words of one architect, Hong Kong has entered into a “condition of groundlessness,” in which the ground has become just one of many layers of public activity.
The phenomenon has become so pervasive that, in many parts of Hong Kong, vast networks of interconnected malls, office towers and residential buildings have become the main form of pedestrian passage. It is possible to walk from Pacific Place Three, on the western edge of Wan Chai, all the way to the Macau Ferry Terminal in Sheung Wan — a distance of more than two kilometres — without once setting foot at street level.
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September 22nd, 2010

Sidewalk fences at a typical corner in Sham Shui Po, Kowloon
Earlier this month, a pair of pedestrians tried to push their way through a crowd of people on Dundas Street, one of the most crowded streets in Hong Kong’s most crowded neighbourhood. One of them cast a withering glance on the grey metal fence that lined the sidewalk, preventing him from stepping into the road or crossing the street. “What a hassle,” he said to his friend. “That thing is such a pain.”
Every day, more than 200,000 pedestrians pass through the centre of Mongkok. At peak hours, the footpath on Dundas Street, between Sai Yeung Choi Street and the Tung Choi Street Ladies’ Market, becomes so crowded that many people choose to dodge cars and minibuses instead of walking on the packed sidewalk.
In June, the Highways Department hoped to put a stop to that unruly behaviour by installing a long, impermeable fence along the entire length of the sidewalk. But the barrier seems to have had the opposite of its intended effect. On a recent Thursday evening, hundreds of people could be seen walking in the roadway, outside the fence. At one point, there were more pedestrians in the street than on the sidewalk.
“The fence has been bad for business because people can’t easily cross the street to get here,” said the owner of a dispensary located halfway down the block. He said he had not been consulted before the fence was installed. “When the government wants to do something, it just does it,” he said.
Nearby, a man was leaning against the fence while browsing Facebook on his iPhone. “The only reason it’s here is so the government can cover its ass if there’s an accident,” he said.
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August 27th, 2010

Ste. Catherine Street. Photo by Kate McDonnell
Two years ago, when Ste. Catherine Street in the Gay Village was pedestrianized for the summer, it was organized like a festival, with a corporate monopoly on outdoor beer sales and over-the-top decoration (and not in a fabulous way, just in a tacky commercial one). Even worse, the Village is not the liveliest place on weekday afternoons, so the street felt a bit forlorn before the sun went down.
But the enjoyment of experiencing a street free of cars outweighed all of the drawbacks. The Village’s summertime pedestrianization was successful enough that it has continued for the two summers since.
Now it has spread to other streets. This year, for the first time, St. Paul Street in Old Montreal was closed to traffic, something that should have been done a long time ago. Despite being one of the narrowest commercial streets in the city, and despite the tourist crowds that throng it all summer long, most of the space on St. Paul was taken up by cars. Walking along it meant a choice of squeezing past fanny-packed day-trippers on the narrow sidewalk or dodging cars on the street.

St. Paul Street. Photo by Kate McDonnell
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August 7th, 2010

You can’t touch the sculpture in front of Langham Place. It’s a nice bronze piece by Larry Bell, and it looks great from a distance, but if people touched it, their oily hands would ruin the metal. So there’s a security guard stationed out front, all day, every day, to make sure nobody crawls onto the sculpture’s tree-like limbs, which, most cruel of all, seem to invite you to climb them, or at least lean on them.
Since it opened five years ago, Langham Place has become one of the most recognizable landmarks in Mongkok. Its 700-foot office tower, capped by a glowing dome, can be seen from throughout the city, including my kitchen and bedroom windows, where I take strange comfort in its constant presence. The mall underneath is home to an independent radio station and a huge, unforgettable atrium ringed by outdoor café terraces. The last adjective I would use to describe Langham Place is “bland,” which can’t be said for most malls.
The way Langham Place treats the streets around it is another story. The entire complex occupies two narrow city blocks, connected by large enclosed footbridges above street level. One block is home to the office tower and shopping mall; the other contains a luxury hotel, minibus terminus and community centre. As you’d expect from such large buildings sandwiched onto such small blocks, the effect is that of a tunnel — you’re walking down the street past buildings of varying height and suddenly the sun disappears, the wind blows harder and you’re surrounded by huge, featureless walls. Whereas the interior of the mall is memorable and engaging, its exterior is a triumph of commercial gigantism.
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July 31st, 2008

I’m in Calgary at the moment. This is a fast-growing, fast-changing city, and there are a couple of interesting changes that I noticed while I was here. One of them is the introduction of two new scramble crossings in the Eau Claire neighbourhood of the city’s downtown area.
Often associated with Tokyo’s famous Shibuya Crossing, scramble crossings are in fact a North American invention, originating in Kansas City and Vancouver in the 1940s. Basically, the term refers to an exclusive pedestrian crossing phase at an intersection controlled by traffic lights; all cars come to a stop and pedestrians are allowed to cross in all directions. For the most part, it’s a safe and efficient way of governing traffic flow, as long as pedestrians have ample time to cross.
Scramble crossings disappeared in North America for several decades, victims of the postwar dominance of the automobile. Attitudes have changed, though, and the crossings are making a comeback. In 2003, Montreal installed them without much fanfare in the Quartier international, at such corners as McGill and St. Jacques and Viger and St. Urbain; they can also be found at several other intersections, like Monkland and Girouard in NDG. There is nothing to indicate that pedestrians are allowed to cross in all directions — some figure it out but others seem hesitant to cross diagonally.
In Calgary, by contrast, the city has made a big deal of its new pedestrian scrambles, accompanying their installation with plenty of instructional signage. Painted lines in the intersection let pedestrians know that it’s okay to cross diagonally. Based on what I’ve seen, it doesn’t take long for people to grasp the concept, and with each light cycle there are people who cross in all directions. Prominent signs prohibit drivers from making right turns on red.
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April 8th, 2008

If these signs are any indication, Hong Kong pedestrians ought to be very scared.
