Paving in Portuguese

Ten years after its handover to the People’s Republic of China, the old Portuguese colony of Macau hardly abounds with the tongue of its former master. Portuguese signs still cling to shops and older buildings, but the language of the streets is unmistakeably Cantonese — with the occasional whiff of Mandarin coming from the direction of mainland tour groups. Macau’s future, its leaders have decided, is as a gambling destination, and increasing numbers of visitors from across Asia pack its Vegas-brand hotels night and day.

But the enclave’s Lusitanian design vocabulary remains remarkably intact, and nowhere is this more evident than in the patterns that swirl beneath its pedestrians’ feet. Calçadas (literally “pavements”), the unique street mosaics that decorate the cities of Portugal and its former colonies from Lisbon to Luanda.

The origins of calçadas are somewhat unclear. The popularity of tiles in Portuguese art first exploded with the introduction of geometrical ceramic arts by the Moors. Decorated tilework, known in Portuguese as azulejo, soon came to cover houses and churches across the country. But the first recorded calçada was not the product of an artist’s whimsy, but as a makework project for prisoners thought up by an army officer.

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Look, Hope and Expect

Street markings are ubiquitous in Hong Kong, thanks to its British heritage, and pedestrians are urged to “Look Left” or “Look Right” at every crossing. But I was somewhat astonished to find out that the Chinese character used for this command (望, pronounced mong in Cantonese) does not just mean “look” in a literal sense, it can also mean “hope” or “expect.”

Of course, as is always the case in Chinese, the word’s actual meaning depends entirely on context. But it’s awfully poetic in a figurative sense. What goes through your mind in that microsecond that passes when you turn your head to look at something? Trepidation, fear, longing, expectation, hope? And what happens when that brief moment of anticipation settles into the reality of what we see?

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