URBANPHOTO

Winnipeg
A Photoessay by Colin Kent

 

My city is still breathing (but barely, it's true) through buildings gone missing like teeth. The sidewalks are watching me think about you, all sparkled with broken glass. I'm back with scars to show. Back with the streets I know. They never take me anywhere but here.

The Weakerthans, from "Left and Leaving," 2000.

Winnipeg is a peculiar city, both deserving of its deeply unpleasant reputation and, at the same time, terribly underrated. It is undoubtedly one of Canada’s most beaten-upon cities for its poverty, for its economic stagnation, for its apparent ‘blandness,’ for its geographic and psychological isolation. It is, however, of great interest to any urbanist, being home to some of Canada’s most beautiful, appalling and storied neighbourhoods. It is also notable for its cultural contributions, eclectic and unique as they are. From art (First Nations in particular) to music (indie rock especially) to architecture (that bulky Chicago style) and, of course, dance (ballet most significantly).

Most Canadians dismiss the city, but few have an accurate perception of what it's really like. Some of the stereotypes hold true: the North End is not the overblown slum it is said to be, but it’s still one of the poorest neighbourhoods in Canada. The mosquitoes really are horrible in the summer and the winters really are disturbingly cold, but these generalizations only tell a small part of the story.

This is a collection of photos taken over several days around the Christmas of 2002. It's pretty foolish to visit Winnipeg in the winter and even more foolish spend the visit outside taking photos. Nevertheless, the city’s legendary winters are a crucial part of its psyche and culture. Somehow it seems appropriate to show the city at its very coldest and at its most honest.

Colin Kent, 2003

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